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Hall of Fame

  • Bands I've Seen Four Times or More:
    • Arcade Fire
    • Nicole Atkins & The Sea
    • Beck
    • Bloc Party
    • Blur
    • The Brunettes
    • Clap Your Hands Say Yeah
    • Death Cab for Cutie
    • The Decemberists
    • Doves
    • Editors
    • Feist
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    • Gorillaz
    • Grand National
    • The Grates
    • Immaculate Machine
    • Langhorne Slim
    • Les Sans Culottes
    • Kaiser Chiefs
    • Kate Nash
    • The New Pornographers
    • Northern State
    • Phoenix
    • The Pipettes
    • Radiohead
    • The Roots
    • Secret Machines
    • The Shins
    • Sons & Daughters
    • Bruce Springsteen
    • Supergrass
    • They Might Be Giants
    • Yeah Yeah Yeahs

Guitar Pick Recipients

  • Recipients of the MusicSnobbery.com Guitar Pick
    • Damon Albarn
    • Nicole Atkins
    • Win Butler of Arcade Fire
    • Laura Cantrell
    • Inara George of The Bird & The Bee
    • Dave Hollinghurst of Nicole Atkins & The Sea
    • Ivan Howard of The Rosebuds
    • JayMay
    • Alex Kapranos of Franz Ferdinand
    • Langhorne Slim
    • Sondre Lerche
    • Emanuel Lundgren of I'm From Barcelona
    • Moby
    • David Moltz of Salt & Samovar
    • Peter Morén of Peter Bjorn & John
    • Kate Nash
    • Jack Peñate
    • Katie White of The Ting Tings
    • Björn Yttling of Peter Bjorn & John

October 07, 2007

Arcade Fire @ Randall's Island

Arcade_fire03 It's 4pm on Sunday, and I'm just getting back from the Arcade System show at Randall's Island. I'm joking, of course.

I think we can all agree that the show as a whole, with all the opening acts and the massive stage and sound set-up, was one for the ages. It was some kind of super-gigantic spectacle of live rock music. It was the Monsters of Rock tour for the hipster generation. We will all remember the show and the colossal pain in the ass getting there and getting out. More on that later.

The setlist, a little different from their previous shows, a few early tracks, a B-side and a cover:

  • Black Mirror
  • Keep the Car Running
  • Neighborhood #2 Laika
  • No Cars Go
  • Haiti
  • I'm Sleeping in a Submarine
  • My Body is a Cage
  • Cold Wind
  • Intervention
  • Antichrist Television Blues
  • The Well and The Lighthouse
  • Neighborhood #1 (Tunnels)
  • Neighborhood #3 (Power Out)
  • Rebellion (Lies)
  • ENCORE: Headlights Look Like Diamonds
  • Wake Up
  • SECOND ENCORE: Kiss Off

Oh yeah, I was there for the surprise, impromptu performance. I was close to it all ... too close. More on that later.

Each time I see Arcade Fire live, it is different, memorable experience. Let's recap:

Arcade_fire07Sept. 2005 @ Central Park Summer Stage: David Bowie shows up for the encore. I'm in the front row, I nearly pass out from excitement. I leave hyper-ventilating. The Fire's performance was so intense, I thought someone was going to die on stage.

Feb. 2007 @ Judson Memorial Church: I wait 2 1/2 hours in the snow just so I can be upfront. Seeing them in a small space made up for lost time.

May 2005 @ Tower Theatre: I break in my new camera, during which Win encourages the crowd to bum rush the show. I'm stuck against the stage the whole show.

May 2005 @ Radio City Music Hall: Awesome pictures, crowd gets agitated with Radio City staff, I witness the whole chaos from the back.

Yesterday, it was the band's ninth show in New York, and it's possible that it's their largest headlining show ever. Why visit the ninth time and play an open field? Because they can. I would gather that maybe 20,000 people showed up to the island. I took a peak over the crowd from the stage and saw the sea of people and said to myself, "Holy dogshit, that's a lot of people ... how they going to get home?"

When you think of it, 5 bands, two of which are major draws for $40. That's a bargain. And a chunk of the money goes to charity -- Partner in Health.

Their performance solidifies themselves as the best band in the world until Radiohead comes out with a new album. So enjoy it until Tuesday. Every show for Arcade Fire is as complete a show as you'll see, hear and experience. They never phone in a performance. You leave thinking that it was the best show you'll see all year.

I think it's amazing how their music is just as good in the vastness of an open field with 20,000 people as it is in a tiny church in front of 600. With the crowd singing along to the choruses or screaming, "Lies! Lies!", you know you are part of a major spectacle. The neat sight when you look into the crowd were those little glowing strings being thrown about the whole show. It was like little jumping lightning bugs hoping all around.

Arcade_fire17Some of the craziness of the night included birthday boy William taking his snare drum and climbing the rafters. It was a fine King Kong impersonation as you see in the pictures. I saw him climbing and I'm like, "That boy has some balls ... I better grab my camera."

For the band, who have played every major festival around the world, this show was the pinnacle of the year. Everyone in attendance was there to see them. You can't help thinking that band is thinking pretty good about themselves now.

For which, about 5 minutes after the show was done and everyone was running out to get the few buses and ferries, the band came out from the side of the stage to do a impromptu rendition of Violent Femme's "Kiss Off." Basically, I was chit-chatting while trying to get out from the barricades. I turn around and see the band carrying megaphones and their instruments -- and they are walking right towards me. They surround me and security is running towards me as well trying to figure out what's going on. I'm freaking out. I said to myself, "Either let me out of the way or hand me a tambourine so I can join in." I duck out of there so that security doesn't beat me down. And here's what I saw.

Thus ends the year of the Arcade Fire in America. They head off to Europe and Australia for the rest of the year. I was actually hoping that they would reschedule their canceled European dates while I was there, but it didn't work out. That would have been sweet and f'in hell. Who knows when we'll see them again? Win mentioned that it will be a few years. I'm hoping they take a nice break -- take their time making their next opus. We get spoiled here in New York -- we get all the great acts coming repeatedly.

Arcade_fire22Now we have the other half of the day beyond the show -- how major a fucking hassle was getting there and getting out. As much as I want to see this type of show, it was one headache after another because public transportation to this remote part of New York City is sparse. I ended up taking the ferry, for which there was one in operation. Waited 45 minutes getting there another 90 minutes on the way back. I probably should have hid in the equipment truck to get a ride back to Manhattan.

It was actually rather beautiful at night, seeing the city from the river, so I didn't mind the trip. I'm always prepared for these situations, that's why I bring a book, magazine or IPOD with me. How was your travel experience?

Hey, Bowery Presents .. next time -- have it in Jersey City at Liberty State Park. Radiohead did it, so can Arcade Fire.

When I got to the open field all I can smell is fried food. Usually you smell weed or port-o-potties, but the smell of trans-fat oil being boiled over-took everything. I'm just amazed how people will get totally sloshed on $7 cups of beer, pass out and completely miss the show. Seems pointless, doesn't it? The longest line was not for merch, fried food or portable toilets, but for the cash machines. Interesting. Then after the show, the whole place was one big plastic bottle land fill. Talk about your carbon imprint.

I watched most of the show from the far side with the All Access people. So I have a little Page Six blind item for you. I'm having a great time watching the show with everyone around. In front of me is a popular singer-songwriter, one of those corporate cookie cutter artists --- no one I would listen to unless I had a gun pointed at me. She had this look of disdain, you had to wonder what her problem was. She barely clapped after each song and tapped her foot very slightly. Yeah, life's tough when you have to stand through the Arcade Fire and you're a pissed-off pop star.

As you can see with the pictures, I got a photo pass and I think the results are fantastic.

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I like that photo, wish it was in focus. It's like, "Hey, Chris! Outta sight!"

Don't forget to check out the other posts on the day:

LCD Soundsystem @ Randall's Island

Lcd_soundsystem04 I love that picture to the right. It sums up the LCD Soundsystem experience. You have James Murphy (a.k.a J-Murph) standing by himself. It symbolizes the reluctant lead singer/de facto leader of the New York dance rock movement. The microphone shows the immediacy of their live show. While it's a whole bunch of keyboards, drums and sequencers in the studio, live it just feels like more of a organic musical performance. Then you have that disco ball, a shining beacon of dance, fun and energy. Wow, I feel like Sister Wendy, the nun who discusses art on PBS.

The inclusion of LCD Soundsystem on this joint U.S. tour might seem like an odd choice at first, similar to the Death Cab for Cutie/Franz Ferdinand tour last year. You have two bands that have different looks, different sounds and different performances. Arcade Fire have a costumes of sorts, kind of like a traveling band of preachers circa 1933. LCD come on the stage with what they are wearing that day. Arcade Fire are an indie rock band from Canada who uses strings, accordions and traditional percussions. LCD have all sorts of wicked keyboards, computers and a guitar or bass here and there. Arcade Fire are crazy, spontaneous performers who knock crap over, beat the hell out of their equipment and have this controlled chaos on stage. LCD, do get into their show, but are not the extroverts that Arcade Fire's members are.

So if they are so different, why tour together? They have the same fan base, mainly music lovers and music snobs alike. Their live show are musical musts for anyone who likes live music. You might not be a club kid, but you sure as hell will dance and jump around to both bands. Likewise, if you are a club kid, you'll recognize how fun these two bands are.

It was pretty much the same experience as when I saw them last June in Philly. Being in the supporting spot for the tour, they have to trim a few of their choice cuts, mainly Daft Punk is Playing and Watch the Tapes. It felt that "Yeah" went on for about 20 minutes into some sort of free for all techno jam -- it was seriously ill. During the closer, "New York I Love," he seemed like he was messing around a bit. It became, "New York, New Jersey, Long Island I love you, but you're bringing me down."

  • Get Innocuous
  • Us vs. Them
  • Time to Get Away
  • North American Scum
  • All My Friends
  • Tribulations
  • Movement
  • Someone Great
  • Yeah
  • New York I Love You, But You’re Bringing Me Down

While I was in front taking photos, I stopped to watch J-Murph on the microphone (there's only so many ways you can shoot a guy at a mic). He was in the moment, eyes closed and holding the microphone tight, when all of sudden he turns to the sound crew in mid-performance and screams at the top of his lungs, "I CAN'T HEAR A FUCKING THING." Then, he immediately gets back into his performance zone. It like when a cartoon character who goes red and grows devil horns for two seconds, then snaps back to their normal state. I was like, "Damn. Brother's got a sound problem. Somebody best fix that."

This being the band's fifth New York show this year, it's time for them to set out to pasture for the time being. J-Murp and the crew will head over to Europe for the fall and then hopefully rest for a while to recharge their battery cells.

For now, it's us...

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and them ...

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over and over again ...

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Blonde Redhead @ Randall's Island

Blonde_redhead07Since I have a ton of thoughts, insights and pictures. I'm dividing the acts into separate posts.

I had every intention of catching all the acts during Les Wild Arcade SoundRedhead Day at Randall's Island, but leaving my house at 2pm to plan to get there at 5pm was idiotic. I should have left Thursday. I was on the ferry passing by the island at 6pm, while Les Savy Fav was doing their thing. By the time I walked to the gates, got my credentials, went though security and walked to the stage, Wild Light and Les Savy were done and enjoying a post-performance beverage. Nuts.

In any event, Blonde Redhead was the first act of the day for me. I hadn't seen them live for nine years. Maybe I should pay attention to them more because they are going strong with their droning rockness. I thought they would be lost among the big powerhouse acts, but the three of them commanded the stage like the veterans they are. In their fourteenth year of existence, they were the longest running act of the day. Seeing them live, it showed that a few of the bands around today take their lead from Blonde Redhead. I'm thinking Asobi Seksu in particular.

With Amedeo Pace's contrasting massive guitars licks and subtle and seductive musings, he's the backbone of their sound. Meanwhile, the possessed Kazu Makino dances and slinks her way through their multi-lingual songs. It was far from dull. I will have to add so Redhead to my music palate.

I didn't realize until she took to the keyboard, but Kazu was sitting on a big inflatable dog during their set. Obviously, she's a dog lover because she brought her dog to the show and walking the pet around during the day.

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